Antarāl explores the generative space that exists between memory and history, the material and the spiritual, the personal and the political. This exhibition brings together distinct artist voices each of whom works across boundaries of form, time, and identity.
The artworks in Antarāl occupy the threshold:between figuration and abstraction, myth and reality, stillness and motion. Kaleka’s cinematic surfaces converse with Udagedara’s painted narratives; Rodwittiya’s feminist allegories echo against Kamath’s mischievous myth-making and Afridi’s conceptual poetics.
Together, they hold space for contradiction, duality, and transformation-offering not fixed answers but layered experiences. Antarāl is not a gap, but a presence: a resonant pause that invites reflection, dialogue, and imagination.
The artworks in Antarāl occupy the threshold:between figuration and abstraction, myth and reality, stillness and motion. Kaleka’s cinematic surfaces converse with Udagedara’s painted narratives; Rodwittiya’s feminist allegories echo against Kamath’s mischievous myth-making and Afridi’s conceptual poetics.
Together, they hold space for contradiction, duality, and transformation-offering not fixed answers but layered experiences. Antarāl is not a gap, but a presence: a resonant pause that invites reflection, dialogue, and imagination.
